Quasikunst is systemic-performative research. According to the single project, Quasikunst is a systemic structure, it defines itself as contrast and underground in all directions. Among the increasingly rationally manifested surfaces Quasikunst means: dissociating, superimposed states, diffuse collectives, abstruse connections, other material, simultaneous saying yes and no. Oppositions question contradictions, contexts are extended by more contexts.
Quasikunst-Book, 2021: Quasikunst / DEEP ART CONTEXTS
Especially Quasikunst projects: Trees, 2015 / Fog, 2016 / Ice, 2017 / Wind, 2018 / Deep Drilling and Language, 2019 / Mind, 2020 + Culture Monotonia / Mind, Shock Room, 2020 / Post Glow Cinema, 2021 / Nik, the Sleeper, 2022 / I Hang the World Around Me, 2022
Quasikunst Curation / Projects: STWST48x2/2016 / STWST48x3/2017 / STWST48x4/2018 / STWST48x5/2019 / STWST48x6/2020 / STWST48x7/2021 / STWST48x8/2018
Reflection of Stadtwerkstatt projects in Quasikunst mode: Geld / Fassade
Performative projects in approximation to Quasikunst reflection- various koops: Flugplatz / Nichtstun / Kulturfrauen / Sleep
Quasikunst has been around since 2008 conceptualization and/or artistic work of Tanja Brandmayr. Since 2014 research and projects in the context of Stadtwerkstatt Linz.
More Quasikunst in Stadtwerkstatt-context.