{"id":988,"date":"2022-10-28T08:10:46","date_gmt":"2022-10-28T06:10:46","guid":{"rendered":"http:\/\/www.quasikunst.at\/?page_id=988"},"modified":"2022-10-29T18:36:03","modified_gmt":"2022-10-29T16:36:03","slug":"nik-the-sleeper-2","status":"publish","type":"page","link":"https:\/\/www.quasikunst.at\/index.php\/en\/nik-the-sleeper-2\/","title":{"rendered":"Nik, the Sleeper ()"},"content":{"rendered":"\n<p style=\"text-align: center;\">\u00a0<\/p>\n<p style=\"text-align: center;\"><strong>Nik, the Sleeper<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>SF Exploitation \/ Performative Installation<\/strong><\/p>\n<p><strong>A fragmentary perceptual space and body that combines pulsed textual content, diffuse imagery, states of self-forgetfulness, alienating afterglow effects, reduced movement. A connected unconsiousness and observing postglow of mind-mining and self-fracking.<\/strong><\/p>\n<p>The sleeping body as an organ of thought, a connected consciousness as a network, a sleeping land beneath the waking state, the sleep of the many as an entity: <em>Nik, the Sleeper<\/em> is a spatial sci-fi exploitation story told in scraps of text. <em>Nik<\/em> deals with body, consciousness and technology. It engages in historical debris research on electricity, for example, and points to a techno-future as a potentially larger, connective unconscious network. Between algorithmic underground consciousness and self-fracking, however, the installation swallows almost all of its content. A fragmentary perceptual space emerges that combines pulsed textual content, diffuse imagery, states of creativity and self-forgetfulness, elements from regular sleep measurement, alienating afterglow effects, and elements of reduced movement economy.<\/p>\n<p>\u00a0<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>As Pulsed Text<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Nik Dreams of the Dead Artists:<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/stwst.at\/nik\/#minus8\">Nik, the Sleeper, Minus 8<\/a><\/p>\n<hr \/>\n<p>\u00a0<\/p>\n<p style=\"text-align: center;\"><strong>As Text Panel<\/strong><\/p>\n<p align=\"justify\">\u00a0<\/p>\n<p align=\"justify\">Thank you for publishing this manifesto. I read that the artists are now dead. Another loss. Too bad about the artists. One has to say goodbye to them. But often what was said about them had nothing to do with what they did or thought anyway. They were interpreted and placed to avoid too much contradiction. <b>Today, we produce objects that create less dissonance. <\/b><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">Sitting in the Nirgendwo<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">Skepticism about entropy itself<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">Indirect work<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">in the interior<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">Making meltdown objects<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">from Egomantel reinforced concrete<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">reverse reading direction<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">and extract opinion like crude oil<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">it&#8217;s still the content, stupid<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">and sometimes still go out<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">Instead of art now<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">deal with rocks<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">and anti-gravity<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">with plants and radiation<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">increase contradiction<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">and from brushwood and thoughts<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">make a TOE<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">Seize the means of contradiction of<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">Die Welt ist alles, was Zerfall ist<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">Die Welt ist alles, was einem einf\u00e4llt<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">With the Exceptionally Simple Theory of Everything<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">and the Connection with Everything<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">and the Physics of Relationships<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">with Beautiful, Strong and Electroweak<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">settle under the Golden Peak<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: large;\">and personify the system E8 <\/span><\/p>\n<p>\u00a0<\/p>\n<p style=\"text-align: center;\"><em>(Plus: Nik dreams in german language)<\/em><\/p>\n<p>\u00a0<\/p>\n<hr \/>\n<p><strong>STAGING &#8211; Video NOT ONLINE<\/strong><\/p>\n<p>Some pictures and staging of <em>Nik, the Sleeper: <a href=\"https:\/\/stwst48x8.stwst.at\/en\/ich_haeng_mir_die_welt_um\">here<\/a> and <a href=\"https:\/\/newcontext.stwst.at\/en\/projects\/quasikunst\/start\">here<\/a><\/em> (scroll down).<\/p>\n<hr \/>\n<p>An associated text on the project\/artist appeared in Versorgerin 135: <br \/><a class=\"urlextern\" title=\"https:\/\/versorgerin.stwst.at\/artikel\/08-2022\/postglow-cinema-the-green-ray\" href=\"https:\/\/versorgerin.stwst.at\/artikel\/08-2022\/postglow-cinema-the-green-ray\" target=\"_blank\" rel=\"ugc nofollow noopener noreferrer\">Postglow Cinema &#8211; The Green Ray<\/a> by Georg Wilbertz.<\/p>\n<hr \/>\n<p>Tanja Brandmayr, 2022<\/p>\n<hr \/>\n<p>Project shown at\u00a0 <a href=\"https:\/\/stwst48x8.stwst.at\/en\/nik_the_sleeper\">STWST48x8 DEEP. 48 Hours Disconnected Connecting<\/a>.<\/p>\n<p><strong><em>Tanja Brandmayr<\/em><\/strong> (AT) is artist and writer and has been working for many years and in different contexts between text, media, staging and art. Art and context research Quasikunst in cooperation with STWST. Also editor and author for art and culture magazines. Lives in Linz\/Austria. <a class=\"urlextern\" title=\"https:\/\/quasikunst.stwst.at\" href=\"https:\/\/quasikunst.stwst.at\" target=\"_blank\" rel=\"ugc nofollow noopener noreferrer\">https:\/\/quasikunst.stwst.at<\/a><\/p>\n<hr \/>\n<p>First Photo: Astrid Benzer<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Nik, the Sleeper SF Exploitation \/ Performative Installation A fragmentary perceptual space and body that combines pulsed textual content, diffuse imagery, states of self-forgetfulness, alienating afterglow effects, reduced movement. A connected unconsiousness and observing postglow of mind-mining and self-fracking. The sleeping body as an organ of thought, a connected consciousness as a network, a sleeping land beneath the waking state, the sleep of the many as an entity: Nik,<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/www.quasikunst.at\/index.php\/en\/nik-the-sleeper-2\/\">Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":984,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-988","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.quasikunst.at\/index.php\/wp-json\/wp\/v2\/pages\/988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.quasikunst.at\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.quasikunst.at\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.quasikunst.at\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.quasikunst.at\/index.php\/wp-json\/wp\/v2\/comments?post=988"}],"version-history":[{"count":7,"href":"https:\/\/www.quasikunst.at\/index.php\/wp-json\/wp\/v2\/pages\/988\/revisions"}],"predecessor-version":[{"id":1062,"href":"https:\/\/www.quasikunst.at\/index.php\/wp-json\/wp\/v2\/pages\/988\/revisions\/1062"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.quasikunst.at\/index.php\/wp-json\/wp\/v2\/media\/984"}],"wp:attachment":[{"href":"https:\/\/www.quasikunst.at\/index.php\/wp-json\/wp\/v2\/media?parent=988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}