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I Hang the World Around Me<\/strong> Four text panels telling in a short SF narrative of the departure from Earth and the failure of terra-forming on the new planet. In an undefined departure and descent, and with remnants of meaning and textual references we move away from a World as we know it. We breathe in contradictions. The overall context as organ of thought, syntax beyond language, perception as transformed and pulsed rhythm, understanding as a disconnected connection: In a technologized and rationalized world, catastrophes are looming, while people are entangled in pseudo-fights and confronted with EVERYTHING in daily life and also on foreign planets. It becomes more and more difficult to make sense at all. What to do?<\/p>\n \u00a0<\/p>\n Prelude A picture fragment that circles around itself in a residual orbit <\/strong>of self-knowledge.<\/strong><\/p>\n Serious Deep Shit<\/strong><\/p>\n https:\/\/stwst.at\/nik\/#9<\/a><\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n I Hang the World Around Me<\/strong><\/p>\n 1<\/p>\n At first glance, a commodity seems to be a self-evident, trivial thing. Its analysis reveals that it is a very intricate thing, full of metaphysical subtleties and theological quirks. As far as its utility value is concerned, there is nothing mysterious about it […]. It is clear to the senses that man by his activity changes the forms of natural materials in a way useful to him. The form of wood, for example, is changed when it is made into a table. Nevertheless, the table remains wood, an ordinary sensual thing. But as soon as it appears as a commodity, it is transformed into a sensual supersensual thing. Not only does it stand with its feet on the ground, but it turns itself upside down in the face of all other commodities and develops crickets from its wooden head, much more whimsically than if it began to dance of its own free will.<\/span><\/p>\n Crickets dancing<\/span><\/p>\n Wooden Table Movement<\/span><\/p>\n Single human experience<\/span><\/p>\n at – minus 273 degrees \u00b0<\/span><\/p>\n At the edges<\/span><\/p>\n of the personal world<\/span><\/p>\n Right wrong dance movement<\/span><\/p>\n In the impure form-disaster<\/span><\/p>\n In the old finely balanced system<\/span><\/p>\n Of cultivation and decultivation<\/span><\/p>\n In the Critical Culture<\/span><\/p>\n of the right-left political dyslexia<\/span><\/p>\n in the equation<\/span><\/p>\n of the Scuola Recursiva<\/span><\/p>\n In the splitting off | reversal<\/span><\/p>\n of the Totalia Reversia<\/span><\/p>\n How we are thrown into the world, there forward<\/b><\/span><\/p>\n In the wood-breath, in the flight-unconnectedness<\/b><\/span><\/p>\n Exploding backwards forward<\/span><\/p>\n Like the *F* Benjamin angel<\/span><\/p>\n And become the gas-table upside down<\/b><\/span><\/p>\n Which without any gravity<\/b><\/span><\/p>\n begins to dance<\/b><\/span><\/p>\n whirling and spinning<\/b><\/span><\/p>\n in the gas<\/b><\/span><\/p>\n and undergrowth universe<\/b><\/span><\/p>\n Like Reverse Trees<\/b><\/span><\/p>\n That only want to go away<\/b><\/span><\/p>\n \u00a0<\/p>\n I Hang the World Around me<\/em> is part of the Science Fiction Exploitation Nik<\/em>. \u00a0<\/p>\n \u00a0<\/p>\n I Hang the World Around Me<\/strong><\/p>\n 2<\/p>\n The mystical character of the commodity does not arise from its use value. Nor does it arise from the content of the determinations of value. […] It is a physiological truth that [the useful works or productive activities] are functions of the human organism, and that every such function, whatever its content and form, is essentially the expenditure of human brain, nerve, muscle, sensory organ, etc. […] In all states the working time, which the production of food costs, had to interest man […]. Finally, as soon as people work for each other in any way, their work also receives a social form. […] Where, then, does the mysterious character of the product of labor spring from as soon as it assumes commodity form? <\/span><\/p>\n \u00a0<\/p>\n With mathematics empathy<\/span><\/p>\n flying into the future<\/span><\/p>\n With the body of the day after tomorrow<\/span><\/p>\n Land on the new planet<\/span><\/p>\n With brain, nerve, muscle etc<\/span><\/p>\n Working on the Symm-Asymm-Anthropology<\/span><\/p>\n Push the imbalances from 1 to \u221e 1000<\/span><\/p>\n Push down<\/span><\/p>\n With high potency electricity<\/span><\/p>\n Digging into the untouched surfaces<\/span><\/p>\n Using self-efficacy magnetism<\/span><\/p>\n Form several 10,000 single-flat cores<\/span><\/p>\n In dissolved holes<\/span><\/p>\n Eating strong\/weak power<\/span><\/p>\n In the deep flour book<\/span><\/p>\n Starve for basic income<\/span><\/p>\n Spill the e\u00b0mofactor<\/b><\/span><\/p>\n While self-fracking<\/b><\/span><\/p>\n Dreaming of white goods<\/span><\/p>\n Waiting for a better to come<\/span><\/p>\n No memory<\/span><\/p>\n of the work product<\/span><\/p>\n \u00a0<\/p>\n I Hang the World Around me<\/em> is part of the Science Fiction Exploitation Nik<\/em>. \u00a0<\/p>\n \u00a0<\/p>\n I Hang the World Around Me<\/strong><\/p>\n 3<\/p>\n How would we express the marvelous ability of a living organism to delay decay into thermodynamic equilibrium (death) in terms of statistical theory? We said: It feeds on negative entropy by drawing a stream of negative entropy towards itself, so to speak, in order to balance the entropy increase which it causes by its life and thus to keep itself at an even and rather low entropy level.<\/p>\n \u00a0<\/p>\n Dark Night Remote<\/span><\/p>\n Remote Critical Essential<\/span><\/p>\n Drunk Attitude Up<\/span><\/p>\n Indifference Immaterial Down<\/span><\/p>\n Access Circular Below<\/span><\/p>\n Double Mental Metal<\/span><\/p>\n Cleats Emergency Light Negative Space<\/span><\/p>\n High-End Exit Interference<\/span><\/p>\n Understanding Remembering Sleep<\/span><\/p>\n Without Words Terra-Forming<\/span><\/p>\n Nature Culture Knocking Out<\/span><\/p>\n Ore Liquefaction Steel<\/span><\/p>\n Sand Quartz Desert<\/span><\/p>\n Airplane Blowing away Slipping<\/span><\/p>\n Burying Kern Core<\/span><\/p>\n No chance to come back to the surface<\/span><\/p>\n No chance to come back<\/span><\/p>\n Only more high frequency highly accelerated<\/span><\/p>\n Everything waltzes in the Large Hadron Collider<\/b><\/span><\/p>\n At the end fun steel bath kawumm<\/b><\/span><\/p>\n \u00a0<\/p>\n I Hang the World Around me<\/em> is part of the Science Fiction Exploitation Nik<\/em>. \u00a0<\/p>\n \u00a0<\/p>\n I Hang the World Around Me<\/strong><\/p>\n 4<\/p>\n \u00a0<\/p>\n Thank you for publishing this manifesto. I read that the artists are now dead. Another loss. Too bad about the artists. One has to say goodbye to them. But often what was said about them had nothing to do with what they did or thought anyway. They were interpreted and placed to avoid too much contradiction. Today, we produce objects that create less dissonance. <\/b><\/p>\n <\/a><\/p>\n Sitting in the Nirgendwo<\/span><\/p>\n Skepticism about entropy itself<\/span><\/p>\n Indirect work<\/span><\/p>\n in the interior<\/span><\/p>\n Making meltdown objects<\/span><\/p>\n from Egomantel reinforced concrete<\/span><\/p>\n reverse reading direction<\/span><\/p>\n and extract opinion like crude oil<\/span><\/p>\n it’s still the content, stupid<\/span><\/p>\n and sometimes still go out<\/span><\/p>\n Instead of art now<\/span><\/p>\n deal with rocks<\/span><\/p>\n and anti-gravity<\/span><\/p>\n with plants and radiation<\/span><\/p>\n increase contradiction<\/span><\/p>\n and from brushwood and thoughts<\/span><\/p>\n make a TOE<\/span><\/p>\n Seize the means of contradiction of<\/span><\/p>\n Die Welt ist alles, was Zerfall ist<\/span><\/p>\n Die Welt ist alles, was einem einf\u00e4llt<\/span><\/p>\n With the Exceptionally Simple Theory of Everything<\/span><\/p>\n and the Connection with Everything<\/span><\/p>\n and the Physics of Relationships<\/span><\/p>\n with Beautiful, Strong and Electroweak<\/span><\/p>\n settle under the Golden Peak<\/span><\/p>\n and personify the system E8 <\/span><\/p>\n \u00a0<\/p>\n I Hang the World Around me<\/em> is part of the Science Fiction Exploitation Nik<\/em>. \u00a0<\/p>\n \u00a0<\/p>\n Quotations used, text blocks above:<\/strong><\/p>\n Text plates 1 and 2, text blocks above, quoted from Karl Marx: Das Kapital. Critique of Political Economy. Volume I. Book I: The production process of capital.<\/p>\n Text panel 3, text block above, quoting from Erwin Schr\u00f6dinger: What is Life? – The living cell viewed through the eyes of the physicist.<\/p>\n Text panel 4, text block above: Nik, the Sleeper. Dream of the dead, unknown artist. Can also be found here on these pages: Nik, the Sleeper<\/a>.<\/p>\n \u00a0<\/p>\n Tanja Brandmayr, 2022<\/strong><\/p>\n \u00a0<\/p>\n Texts staged at STWST48x8 DEEP:<\/em><\/p>\n https:\/\/stwst48x8.stwst.at\/en\/ich_haeng_mir_die_welt_um<\/p>\n \u00a0<\/p>\n The texts on \u201eI Hang the World Around Me“ published in German language in:\u00a0 perspektive 112 | 113 \u201egolden:spike\u201c, Autumn 2022<\/p>\n \u00a0<\/p>\n Part of STWST Quasikunst:<\/em><\/p>\n https:\/\/newcontext.stwst.at\/en\/projects\/quasikunst\/start<\/p>\n \u00a0<\/p>\n","protected":false},"excerpt":{"rendered":" \u00a0 I Hang the World Around Me4 Text Panels & SF-Exploitation on the Net Four text panels telling in a short SF narrative of the departure from Earth and the failure of terra-forming on the new planet. In an undefined departure and descent, and with remnants of meaning and textual references we move away from a World as we know it. We breathe in contradictions. The overall context as organ<\/p>\n
4 Text Panels & SF-Exploitation on the Net<\/strong><\/p>\n
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A work-in-progress project, created as a pulsed text on the web (german+english):<\/em>
https:\/\/stwst.at\/nik\/#minus2<\/a><\/p>\n
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A work-in-progress project, created as a pulsed text on the web (german+english):<\/em>
https:\/\/stwst.at\/nik\/#minus4<\/a><\/p>\n
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A work-in-progress project, created as a pulsed text on the web (german+english):<\/em>
https:\/\/stwst.at\/nik\/#minus6<\/a><\/p>\n
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A work-in-progress project, created as a pulsed text on the web (german+english):<\/em>
https:\/\/stwst.at\/nik\/#minus8<\/a><\/p>\n
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